Henry Butler

pianist

An eight-time W.C. Handy “Best Blues Instrumentalist - Piano” award nominee, Henry Butler knows no limitations. Although blinded by glaucoma since birth, Butler is also a world class photographer with his work displayed at exhibitions throughout the United States.

Playing piano since the age of six, Butler is a master of musical diversity. Combining the percussive jazz piano playing of McCoy Tyner and the New Orleans style playing of Professor Longhair through his classically trained wizardry, Butler continues to craft a sound uniquely his own. A rich amalgam of jazz, Caribbean, classical, pop, blues and R&B influences, his music is as excitingly eclectic as that of his New Orleans birthplace.
 
Mentored by influential jazz clarinetist and Michigan State University teacher Alvin Batiste, Butler was encouraged to explore Brazilian, Afro-Cuban and other Caribbean music. With Batiste’s help, he successfully applied for National Endowment for the Arts grants to study with keyboard players George Duke, then with Cannonball Adderley’s Quintet, and the late Sir Roland Hanna. He studied with Harold Mabern, pianist for the late Lee Morgan, for a summer and spent a long afternoon studying with Professor Longhair. – Craig Harris

Henry Butler appears in the following:

Pianist Henry Butler Jazzes Up Your Day

Friday, September 24, 2010

Renowned jazz pianist Henry Butler stops by KUVO in Denver, where Celeste is visiting today, to entertain us with a little morning music.

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Singing the Blues: The Legendary Henry Butler on Art and Ability

Wednesday, May 27, 2009

The Takeaway talks with legendary bluesman Henry Butler. Butler has been blind since birth but that hasn't stopped him from playing to packed houses or from taking up a new craft: photography. Also joining the conversation on art and ability is Charlie Washburn, the Executive Director of VSA Arts of Massachusetts, an organization dedicated to including everyone in the arts.

Watch Henry Butler perform "High Heeled Sneakers" in the video below.

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