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Campaign fonts: Optima and Gotham reveal the candidates’ "character issues"

By John Hockenberry, Adaora Udoji, Noel King

Thursday, September 25 2008

McCain is Optima. Obama is Gotham. We know what the candidates’ slogans say about their campaigns but what do their fonts mean? From POW to GQ, there may be more to design and typefaces than you’d think.

Guest: Emily Oberman, Partner and co-founder of design studio NUMBER 17
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Fonts? You have to be kidding me. Please do us all a favor, end this foolishness, send John and Adaora back to TV and bring back Bob Edwards.

Posted by Lee Thornton, 8:20 a.m. Thursday, September 25 2008 Permalink

Actually, I enjoyed this story a lot. On the Media ran a lengthier segment on this topic a few months back that was really fascinating. Hey, campaigning is advertising. Who can doubt that a lot of thought goes into logos? It's only logical to go to the next step, as in, what do different fonts say about the candidates, and how do customers (whoops, voters) react? I do have my complaints about this show (apparently, "fast paced and edgy" translates into, bring an interesting person on and cut them off after 90 seconds), but I can't fault them for bringing up this topic.

Posted by Mme_Libn, 11:25 p.m. Friday, September 26 2008 Permalink

The guest was dead wrong about Optima. It's an elegant font, it's the bold version that John McCain uses (and which Hermann Zapf was probably compelled to create for the foundy) which is a lumbering, bumbler-of-a-font.

Posted by Joel Mielke, 5:13 p.m. Saturday, September 27 2008 Permalink

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