Comedian Baratunde Thurston on 'How to Be Black'
Today's Takeaway: Focus on Violence Syria
Today's Takeaway: What the Mortgage Settlement Means
In-Depth Look at the Situation in Syria
Today's Takeaway: Big Night for Rick Santorum
'Tebow Bill' May Allow Home-Schoolers to Play on High School Teams
Some Combat Restrictions for Women Lifted
Is Our Constitution Out of Date?
Today's Takeaway: Multi-Billion Dollar Foreclosure Settlement Imminent
David Sanger's Guide to the History of Syria
In-Depth Look at the Situation in Syria
A Closer Look at the Assad Regime
A Personal Look at the Opposition in Syria
Comedian Baratunde Thurston on 'How to Be Black'
Results from GOP Contests in Minnesota, Colorado, and Missouri
The Future of Syria
Comedian Baratunde Thurston on 'How to Be Black'
What Did Clint and Chrysler Mean by 'Half Time in America'?
The 'Safety Net' and Realities of Poverty
Multi-Billion Dollar Foreclosure Settlement Imminent
Contraception Coverage Draws Criticism from Catholic Bishops
No 'Safety Net' for Middle Class?
'Tebow Bill' May Allow Home-Schoolers to Play on High School Teams
Some Combat Restrictions for Women Lifted
Public Debate Over a Controversial Childhood Obesity Campaign
Being Gay: A Listener's Story

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Comments [5]
I hope someone mentioned RESPECT by Otis Redding covered by the Queen - Aretha Franklin. Maybe not my favorite cover, but certainly the best. Most people don't know that it is a cover and when they hear the original, they say how nice, but why would someone do it. I the Stones covering Slim Harpo's Shake Your Hips.
As to Bo Diddley - talking about him getting covered is like talking about the person who invented perspective getting covered by painting in Western Civilization.
In my peer group, cover songs begin and end with Hendrix cover of All Along the Watchtower, but some of these listed definitely deserve mention.
Keep up the Takeaway, it's too early to tell if they're on to something or not. It took a while to understand All Things Considered in its early days, and this may feel comfortable some day too.
I'm surprised that nobody mentioned the Cuban clave as an influence on the "Bo Diddley" beat, and on other music that used it. The clave had been around forever in Cuban dance music, long before Bo Diddley. The clave consists of the main pattern, that sounds like "1-2-3 (uh!) 4-5!" and the cross-rhythms improvised around it.
I love the Talking Heads' cover of Al Green's "Take Me to the River."
My favorite cover songs vary a lot over time, but right now I'm obsessively listening to Stan Getz and Bill Evans play the old standard tune "Emily" (you know, the one that Sinatra did).
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